The painting was brought to the Uffizi in 1867 from the church of San Bartolomeo a Monteoliveto, outside Porta San Frediano in Florence.

The sculpted figure of Bacchus with a stunned expression due to inebriation reproduces models of the classical art, in particular the portraits of Antinous, and is instilled with a languid sensuality. In the painting, eminent art critic Mina Gregori detected a certain vision of antiquity celebrating the freedom of senses, […]

  This painting, usually known as the Primavera [or ‘Spring’] shows nine figures from classic mythology advancing over a flowery lawn in a grove of orange and laurel trees. In the foreground, to the right, Zephyrus embraces a nymph named Chloris before taking her; she is then portrayed after her transformation into […]

  The diptych of the Dukes of Urbino is one of the most famous works of art of the Italian Renaissance. Painted by Piero della Francesca, it depicts the duke Federigo da Montefeltro and his wife Battista Sforza.

Raphael accepts the approach of the pyramidal composition, the gentle effects of the soft light and the emotional dialog between the characters, revealing the elements peculiar to the painting of Leonardo. Despite that is also plain what will be Raphael’s own personal style: the extreme sweetness of the faces, particularly the […]

  Michelangelo painted this Holy Family for a Florentine merchant, Agnolo Doni, whose prestigious marriage to Maddalena Strozzi in 1504 took place in a period that was crucial for early 16th-century Florentine art.

The painting itself was commissioned by rich banker and refined art lover, Palla Strozzi, for the family chapel in the sacristy of the Church of Santa Trinita in Florence. The panel, which is signed by the artist, and dated 1423, is Gentile’s finest work and has been recognized the most […]

This large altarpiece, painted by Giotto in 1310 circa, is a very important landmark in art history. It was painted for the Florentine Church of Ognissanti, hence the name.